FRANK CHIN BLOGSITE: LET US NOW PRAISE FAMOUS MEN: WOOD MOY

Wednesday, December 13, 2017

LET US NOW PRAISE FAMOUS MEN: WOOD MOY

(photo by Nancy Wong, 1981)

by Frank Chin

Wood has me to dinner and asks me if I have read The Water Margin, when I have not. Like everyone else, I have heard and can’t figure out what The Water Margin is. He’s the only yellow actor to ask about where the Yellow River slows to maze of slow moving smelly marsh of rot and fat and the hideout of the 108 outlaws who displaced the cowardly emperor in the people protected by the outlaws, in Shantung Province.

I read the cartoons of Chinese comic books POW! And ARRRRRGGH! Water Margin and three translations and from the Shapiro trans of Outlaws of the Marsh published by the Chinese Foreign Languages Press- verified by children’s stories. [CONT'D]

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"That 'whole voice' which speaks so eloquently in Aiiieeeee! is an amazingly versatile voice. It is a voice that makes one believe in writing again… I herald it with rejoicing." - Kay Boyle, Rolling Stone
"The emergence 40 years later of a tightly edited, slimmed-down version of a long-lost novel from the writer who first defined Asian American literature is an unexpected gift." - Frank Abe, International Examiner. Interview with editor Calvin McMillin here.
"In the telling and retelling of our stories, we create our community of memory. This huge collection invites all of us to become listeners and to claim America." – Ronald Takaki
"Born in the USA uses insiders' accounts of the resisters' lives to explain their cause and their persecution. This is an indispensable contribution to the literature on Asian America." – Lane Hirabayashi, University of Colorado
"Chin gathers lost legends, children's stories, personal histories, tall tales, and polemics and cobbles them together into a startling, comprehensive theory of Asian American culture with an ancient past and a global reach.... The only fearless writer in Asian America is as vital now as he ever was. When the melting pot boils over again, Asian American literature will find itself back at the crossroads. Frank Chin, the trickster-devil, will be waiting." --The Village Voice
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