Saturday, January 25, 2020

Goong Hay Fot Choy 2020

One of the best books to read about how Chinese America celebrate Chinese New Year right over here.

Also, more on the 3rd edition of Aiiieeeee!:

Tara Fickle's foreword can be read here:

I initially encountered Aiiieeeee! in the winter of 2003, during my first Asian American literature course at Wesleyan University. My professor deftly outlined the major critiques that had been leveled against the anthology over the years—the narrowness of its definition of Asian America, its overtly masculine tone and underrepresentation of women, its American-born, monolingual perspective—and with each contention, I grew more indignant. The magnitude of my indignation was perhaps out of proportion with the size of its source, based as it was on my thin reading of a thin selection: no more than the twelve pages that made up the original 1974 preface. We did not read the introduction that followed, nor the selections that constituted the bulk of the anthology (although we did read two of the excerpted novels, America Is in the Heart and No-No Boy, in their entirety). I am ashamed to admit that not until recently did I actually read the entire anthology, cover to cover. Yet I would venture that this oversight is not uncommon among Asian Americanists of my generation. Indeed, if what defined Asian Americans for the editors of Aiiieeeee! was that they “got their China and Japan off the radio, off the silver screen, from television, out of comic books,” then for years perhaps what defined me as an Asian Americanist was where I didn’t get my Asian America: which is to say, from Aiiieeeee!


Tuesday, December 31, 2019

The New Yorker on the Aiiieeeee! Authors: The Asian-American Canon Breakers

(Photograph by Ken Gaetjen)
(From Left-to-Right: Jeffery Paul Chan, Frank Chin, Lawson Fusao Inada, Shawn Wong, and Chan’s daughter Jennifer)

For your interest, please checkout Hua Hsu's New Yorker article (the views expressed are Hsu's own and do not necessarily represent the views of Frank Chin's):

Proudly embracing their role as outsiders, a group of writer-activists set out to create a cultural identity—and a literature—of their own.

In August of 1972, the Times reporter Ralph Blumenthal was working on an article about theatre in New York’s Chinatown. He was focussing on the challenges faced by performers who had recently emigrated from Hong Kong and Taiwan. They were shut out of mainstream productions, and the grassroots theatre scene was still maturing. Blumenthal’s editor asked a colleague named Frank Ching, who presumably knew a bit more about that part of town, to look the piece over. Ching felt that Blumenthal cast the broader Chinese-American population as foreign. He recommended some more interesting artists to Blumenthal, who ended up including a parenthetical mention of an up-and-coming playwright named Frank Chin. Ching likely believed that he was doing a favor for Chin, whose “Chickencoop Chinaman” had opened at the American Place Theatre months earlier. At the very least, Ching must have felt that he had helped sneak an edgier name into an otherwise drab roundup. But Chin was furious to be included at all. [Continue reading here]

You'll get an interesting history on how the Aiiieeeee! book got published.  Speaking of which, the 3rd edition of Aiiieeeee! just came out:

Don't forget to purchase your copy (more information here).

Monday, November 18, 2019

Aiiieeeee! 3rd Edition Now Available!

An Anthology of Asian American Writers



A look inside:


"A manifesto for an Asian-American renaissance."
- Ismael Reed, Partisan Review

"That 'whole voice' which speaks out so eloquently in Aiiieeeee! is an amazing versatile voice. It is a voice that makes one believe in writing again.... It has none of the accents, none of the echoes, of white academic writing, and I herald it with rejoicing."
- Kay Boyle, Rolling Stone

"The book brings to life a marvelous array of Asian-American characters who break away from the stereotype of silent impassivity to which they had been assigned for so many generations. It demolishes those comfortable cliches."
- Jan Carew, New York Times Book Review


From University of Washington
From Amazon, Barnes and Noble


360 pp., 5.5 × 8.5 in.
hardcover, 9780295746760
paperback, 9780295746487

Monday, October 21, 2019

Frank Chin vs John Korty

In a previous post, Frank Chin said, "I hate myself in Farewell to Manzanar." In light of that, I thought this letter from Frank Chin to filmmaker John Korty (director of the TV-Film Farewell to Manzanar) is worth reading:

To John Korty:

Your Farewell to Manzanar is the most despicable, self-righteous, white racist vision of Japanese America in American film. It’s less honest about white racism and the Japanese American lockup in concentration camps than The Purple Heart (1945), Escape from Manzanar (1945), Go for Broke! (1951), Hell to Eternity (1960), If Tomorrow Comes (1971) and Guilty by Reason of Race (1972). Your characterization of Japanese Americans being either Japanese foreigners or American-born yellow white supremacists sucks off the same white fantasies about Japanese America that justified putting them in the camps in the first place. Ku Klux Klan is gonna see that you get the Emmy for proving they were right, John.

You have lovingly removed white racism from the issue of the concentration camps and the everyday minds of Japanese American. A remarkable feat. You save whites from feeling guilty by characterizing Japanese Americans as cheerfully unaware of the pervasive white racism and as lovably stupid and subhuman as Snow White’s seven dwarfs.

The removal of white racism from the issue of the Japanese American concentration camps is as racist as removing anti-Semitism from the issue of the Jewish concentration camps run by Nazis. Nazis gonna have you do a film on the Jews not being bitter about their camps to make the Nazis look good, John. You have a real future making the Walt Disney True Life Adventure Series of endangered non-white human species.

I first throught your adaptation of Ernest J. Ganes’ The Autobiography of Miss Jane Pittman was a crime against literature by a filmmaker known for making movies about trivial nothings. The magnitude of your racist accomplishment, of turning a great book into a trivial nothing, memorable only for a makeup job, escaped me until I saw Farewell to Manzanar.


"Your Farewell to Manzanar is the most despicable, self-righteous, white racist vision of Japanese America in American film. "


I saw the film Edison Uno says “speaks for itself,” and finally saw your crime is against humanity of non-whites. Farewell to Manzanar might be the perfect racist crime. Only a white racist could have removed white racism from the issue of the camps and adored to justify the racist logic that made the camps happen. General De Witt will rise from the grave to hand you your Emmy, John. You’ve redeemed him.

Worse than legitimizing white racism is your willful destruction of Japanese American history and culture. Harry Ueno, Togo Tanaka, Joe Kurihara, Fred Tayama and other Japanese Americans who were moved to heroic acts of will and greatness to maintain Japanese American integrity are real people.

These great Japanese Americans of Manzanar are still living, what they said and did at Manzanar are matters of public record and more, they are the substance of Japanese American courage in the most trying time in Japanese American history. You change their names to fakes, some kind of Dopey-san and Sleepy-san in your racist fairy tale. You cut the knowledge of white racism from their minds and mouths and amazingly cut the awareness of white people out of the minds of all Japanese Americans, making yellows look really dumb. They don’t notice a yellow man messing around with the only white woman in the movie, and nothing is made of the yellow woman married to the white man that opens and closes the film.

That’s a white supremacist fantasy of Shangri-la, not reality. Even “Japs” weren’t and aren’t that blind. They saw. They talked about what they saw. You make the men who stand up and fight for what they believe in sissies and crybabies who can’t stand up without falling apart and can’t talk straight talk only self-pity and white worship.

Farewell to Manzanar is a cry of FORGET MANZANAR! It’s a piece of white racist propaganda. I apologize to Japanese American for having been an accomplice to this crime against their history, their language, their names, their soul. I’m asking you to strike my name from the credits.

If Japanese America doesn’t step up to you outraged and angry after Farewell to Manzanar airs, then we will both know the camps were successful in destroying Japanese America. You will have gotten away with murder. You’ll collect your Emmy for your version of Snow White and the Seven Dwarfts, and I will mourn the loss of a great people from the face of the earth.


May, 1976
Mother Jones Magazine

Monday, September 16, 2019

The Dorothy Okada Interview

(Photo by Bettina Hansen)

Frank Chin and Shawn Wong interview Dorothy Okada (wife of author John Okada) here.

Wednesday, August 21, 2019






1937 - and WWII starts at the Marco Polo bridge - ends that dream. The tale is told in the autobiograhy "Fifth Chinese Daughter" 1950. She is unaware of Pardee Lowe's 1940 autobiogrphy - on the streets just before he takes the draft into the army. Until we tell her in the 1970's.

2019 - Tsk-Tsk-Tsk - Hua Hsu should have known that before he opened his writing to the New Yorker...or...? Or is he wise to betrayal of literature and history he writes? Is he wise to reading he's been raised and educated with what mad sociologist Miyamaoto scientifically condemns as "cultural nostalgia"?

Cultural nostalgia is eliminated by the process of going in an alien and going out assimilated. Unknown to yourself you've been assimilated! Congratulations. With a shhh! And, please no wasteland Eliot Whimper. Just plain, you show a full-blown ornamental oriental. And don't know it.

Yes! I know many things. For I walk by sight. Yes! I know the secrets, of which they dare not speak!

(Whistler's footsteps and whistle fades down and away)

Tune in. Tune in next week for... another tale... to keep you in...

Wynn? Ene? Do ya feel’it? Suspense?

Battle of Tsujima Straits -

Four new battle ships six cruisers and 9 destroyers -

The Meiji era (明治 Meiji) is extended from October 23, 1868 to July 30, 1912

Japs- 21 destroyers and 37 torpedo boats- destroyed Russian fleet

Jap Navy lost 3 torpedo boats – Russia lost 4380 KILLRF 5917 captured (2 admirals)

Japan lost 117 -x

July 21, 2019 - Sunday-protest in Hong Kong taunt the Commie Hong Kong cops -goood@tvussg?

N Korea launches two wonton missiles close to Sea of Japan-

Boris Johnson prime minister (a cockeyed cocaine nightmare of Donald Trump as Frankenstein) of Great Britain - Ivana Trump e-mails congratulations for winning election to prime minister of Kingston.

Kingston? Trump's daughter carries a coded message to Yellows in America?

Is Nancy' the Fox Spirit, a Vassar girl?

My youtube's gone nuts! Nuts! Alec Guinness as the mustache, Sam Elliott as Gen Buford leading his calvary in Ron Maxwell's "Gettysburg".

Han – War of heavenly Horses vs Greeks of Alexandria Eschate – (Tajikistahn) horses – crested and short stocky legs and round barrel - Greeks - descendants of passive settlers - following Alexander the Great with no Alex here for 150 years - Greek civ without - fighters no martial prowess. They're afraid of fighting! - They're insulted by the Han envoy and slaughter him. No deal? Then the Han will take the horses, the Han - Greek walls – resist Han - Han army returns to China- and comes back with triple the numbers of troops and 100,000 oxen – the Greeks kill their king and surrender to the Han – 3000 heavenly horses – opens up the Silk Road -

Current Exhibit: "A Loaded Weapon" – Photographic Perspectives on U.S. Internment Camps of WW II

Exhibit Dates

April 25, 2019 - September 9, 2019

The exhibit examines the experience of the 120,000 Japanese Americans forced to leave their homes, businesses, careers, and friends and detained in ten internment camps across the U.S. following the bombing of Pearl Harbor and the United States' entry into World War II. Featuring photographs of two distinctive photographers, Dorothea Lange and Ansel Adams, this exhibit examines how these two photographers, each with different perspectives, portrayed the evacuations and life within the internment camps.

Current exhibit - "A Loaded weapon"

Photographic Perspectives on U. S. Internment of WWII

Exhibit dates April 25, 2019 – September 9. 2019

The exhibit also features the story of Fred Korematsu, a Japanese American who refused to comply with the Executive Order that authorized his evacuation and internment. Eventually, he was arrested and detained in one of the internment camps with his family. Attorneys for the American Civil Liberties Union argued Korematsu's case in court several times, eventually reaching the Supreme Court; however, the Court upheld the Executive Order in a 6-3 decision. Justice Robert H. Jackson was one of the three dissenters.

This exhibit was made possible, in part, through a grant received by the Jackson Center from the Chautauqua Region Community Foundation for the purchase of a new laptop. The laptop enables our undergraduate and graduate student interns to access archival material, photographs, and data necessary to develop and execute exhibits such as this, as well as to complete a variety of research projects during their internships at the Jackson Center.

The Robert H. Jackson Center envisions a global society where the universal principles of equality, fairness and justice prevail.

Connie Young EU Champion of Maxine Hong Kingston style contempt for all of Chinese history, culture, and literate was endorsed by Pres. Clinton’s humanities medal in 1998 and Pres. Obama's arts medal (I forget exactly when) but neh and nea are Far Mulan studies need not apply.

The race is on – and it looks like oh my! George going to the inside - FDR's 90066 – seems fouling the track – and here comes

Oh! Your god! Hagfish McConnell is s communist moaner over his Oriental Ornament Elaine Chao! Gimme Millions Yellow hon



Not NHK's Sanga Myuo but TV Tokyo’s 2019 histo-drama FUTATSU NO SOKOKU, a send-up about romance and drama inside U.S.A.'s WWII Japanese American gulags from the usual disconnected Japanese POV, 2:30-8 pm for three more weeks – Episode I aired on July 21 with consciences-less Togo Tanaka-like main character working for the "information Bureau" at Manzanar and a divide between Pro-American and ProNippon factions battling inside the barbed wire. Loyalty Oath, draft, wrenching familial and cultural pressures - I laughed, I cried, I switched over to the Dodger game. One star. Aw, well...


There are advantages to knowing the origins and development of your language from nothing to Chinese to Korean to Japanese -

TV Tokyos 2019 histo-drama Futatsu No Sokoku is proof. of the Japanese of Japan and their pop art (regulated – there are no-no's and yes-yes’s, that aren't observed in the USA, ever! like past TV films accurately depicting Masaoka-like JACL leader selling the Japs soldiers to the Gov, by holding the Nikkei pop-men-women-and-children hostage. The young women in the ten camps, sell their bodies at night to the white guards for nylon stockings. The JACL stooges in the US Gov keep the Jap crap out of the USA. Japs here, never hear the truth from the JACL or a Jap in congress or Gov.


The Japs that read literature of the world as literature and not the gospel truth, sneer at the cowardice and the betrayal of Japanese culture based on dedication to codes - of classes - Toshiro Sasaki – (the perfect handsome samurai) and Musashi Miyamoto – (the perfect trouble-maker) who breaks all the rules you can think of - he doesn't wash – he has no manners - turns farm tools and chopsticks into death dealing weapons - all of civilized society he doesn't wash. He doesn't care about personal hygiene? He has no manners. He turns farm tools into deadly weapons.


Musashi by breaking all the rules – of civil society – all he meets – to the essence of the tool – or brush – or improvised tool - the selfish farmer - finds community and with outlaw Musashi works out Japanese morals & ethics together knowledge picked up on the road. The Buddhists find Buddha - the artists find their art., the etcetera find their etcetera, and

Shosuke Sasaki says his mother called Musasahi a "bumpkin" she disliked Musashi.

Yoshi sails to us - Seattle - Pomerory at 10 – samurai - one throw – stock analyst- retires- to Seattle - tweedy bird – the stock analyst – the conscience of the northwest – [I never talked with Shoshuke about his sister, and his beloved wife. I meet nether after I meet Shosuke Sasaki in 1978. First impression; he's a sad man.]

Shosuke Sasaki always appears in clean and pressed clothes (even golf shirts) and groomed, in keeping with handsome ancestral dandy Kojiro Sasaki famous for taking the death blow from slovenly Musashi Miyamoto.

Musasahi Miyamoto vs Kojiro Sasaki in America becomes the wacky reading of Hajiime "Jim" Skutsu vs the Samurai ideals of Shosuke Sasaki.

They don't see eye to eye, but Shosuke the elder and Hajiime, the new Nisei seed - the American - younger, are friends.


Richard Wright Black Boy - shorty, the elevator operator – amuses his white riders by picking up quarters tossed on the floor, with his lips. he says he plans on using the money he makes to move to Chicago. In Chicago, he will use his skill to pass for Chinese.

Where in Mississippi, Arkansas, and Tennessee does Richard Wright meet Chinese who show off for whites by picking up quarters they throw on the floor, off the floor, with their Chinese lips?

A distinguished black librarian, at the Madison conference, attacks the Chinese writer for perpetuating a white racist stereotype of blacks.

Richard Wright's source of Chinese info is in the papers. Movies. Charlie Chan from the old country – sigh and slump - - (always played by a white man) and Charlie Chan’s goofy Chinese sons raised in the city, trying to lip the hip lingo of the day (played by real Chinese Americans in the days of hyphens)

If the black librarian had gone boing! And asked, where do the Chinese get the stereotypes of Afro-Americans, black slavery, American negroes. Nigger as a bad word, and blacks where there are no blacks in their local America?

The movies.

The blacks own and operate – newspaper magazine, movie prod co, media- the first nations experience (of Canada – owns and operates the same universe of media -

the Chinese don’t. The Chinese don't own and operate a media universe. The Asians of America don't.

The Japanese of Japan do, of course. the Japanese of Japan are not American Nikkei. Their art is different. Japan is state run. American Nikkei art is not state run, or dominated by a wise artist beloved by whites with taste.

The Koreans in America do. Korean Americans don’t.

Yellows read black boy, and discover Richard Wright goes to the movies and is infected with the Hollywood stereotype of Charlie Chan.

Blacks discover Hollywood as the source.

The colored people look at the similarities and the dissimilarities between the Hollywood, and the white stereotype of their people, specifically – in the words of the twenties and thirties: The Social-Darwinists - the Yellows aren't out to cop another's history or degree or kind of white racism you suffer.

If the Jews say the Gov's use of the JACL is similar to the Nazi use of the JACL and Mike Masaoka, they might have helped to stop JACL Norm Mineta talking the Sec of Interior to allow the Masaoka JACL monument in the same park as the marine corp monument, the Korean war monument, and Vietnam wall. Masaoka the Nikkei hater-Nisei traitor.

And the Sansei don't care. I point to that fact, as proof, the Bettina Goering effect is at work in Asian America.

The proof? Nobody Yellow cares.

The proof that nobody Yellow cares? The Yellow pitch to Joe Papp of the New York public theater, in the form of a reading of Bertolt Brecht's- "The Good Woman of Szewchwan "– every white racist word of contempt for the Chinese read by Yellow actors – some from the cast of my plays, read for FX.

Brecht doesn't hate Chinese; the Szechwan of the play are not Chinese. They are metaphors. American whites know Szechwan is the birth of the Tao, Chinese communal civilization founded on pop control of water – and the Yellow River to the sea.

A cast member invites me, and Joe Papp sits next to me and narrates.

What Bettina doesn't know about her face can hurt her when she finds out.

Is that the voice of George Takei I hear knocking my local broadcaster's mic?

There goes Hong Kong. The animals of the lunar zodiac at the largest Disneyland in the world – and Shanghai – are Pluto, Donald Duck, etc. etc.

Richard Wright - Black Boy - a stereotype by Hollywood – vs Bessio Loo selling the wacky lingo garble of real Chinese Americans as the sons of (tee hee) Charlie Chan (acted as white sissy - Warner Oland – or Sidney Toler, tipsy to happy sissy or stumble -

Back in the mists of the distant past 1989 Maxine Hong Kingston is in the air of Kiro - newsradio Seattle – on Frank Abe's interview show.  Maxine Hong Kingston says: "They [the Chinese who came to America] forgot a lot of their myths. Many changed myths because they had new adventures. many changed myths to explain their situations.they were having."

The Whistler: whistles – footsteps =

The Whistler: Tsk. Tsk. Tsk. Think, Maxine.


The Whistler: Didn't the Chinese invent a device? For keeping the forgetful in touch with their myths?


The Whistler: The device is called books. Yes, written books. In times reading in imperial colloquialisms is forbidden – the folk read "liquor" jow- "rice" fahn - "juk" rice porridge – regional – and develop a mock class and imperial manners and bad habits.

For instance. You. You objective thinker. Do you think Maxine Hong Kingston, knows that Emperor Xuansong who gives up the Tang for a lot of jolly time with fatass yang guei fay? the party girl who has Emperor Xuansong kick Li Po, pooor Li Po, the ever happy drunk poet, out of court, and condemned to hunan province - (just above Kanwgtung – but separated by impassable mountains- whew!) known as the land of subhuman monsters.

To assure Turk loyalty Emperor Xuansong's Prime Minister employs only tribute hostages as imperial guards. Emperor Xuansong also sells scholar-official positions to pay for his profligate happy.

Then Emperor Xuansong's Janissriy Turkic guards force the Emperor Xuansong to kill fatass Yangui Fei.

In Singapore there is a long operatic poem sung in Yanggui Fay's thoughts. In this Singapore operating psychology version, Yang willingly dies to make Emperor Xuansong's blood boil up the courage to take the empire back!

As long as the Chinese can write , they can never forget.

Only those that want to forget. Forget to tell.

Still. It is written.

Only those who want to forget. Forget.

The Whistler (as the shadow - invisible snd fx) = who knows what evil lurks in the heart of man? the shadow knows!


The Whistler: Yeeaaasss. I know many things. For I walk by night. I have seen the men and women who have dared step into the shadows.


The Whistler: Yeeeass! I know the secrets! They dare not speak.

(Whistler's whistle.)

How to understand the myriad Asian nations of Asia? Their literature. The Chinese heroic tradition is known everywhere, and at home in Muslim countries to the west of China and Korea and Japan to the East.

The will of each nation, Cambodia, Laos, Myanmar (old Thailand and province of China itself, to be distinctly itself – is told in their history of overcoming, or becoming Chinese, before besting the Chinese at advancing the thought and theory of Confucius and the Chinese, toward Korean and Japanese and mongol new and wicked combos.

Only the Bessie Loo agents and Joe Papp's wrongheaded favor to the Yellow "theater professionals of the New York Public Theater are grateful to play arthouse asshole, crybaby, bitch and whore metaphors of themselves.

White god damn it! Szechwan is Sichuan is Four Rivers in Chinese. However the white spells in in white man's talk – it is always – Sze (four) churn - (rivers)

Yellows in America Yuji Ichioka and Russell Leong at UCLA are too old Mao commie to understand. Szechwan is not a Commie artistic metaphor. It is a white code word after word of contempt for Szechwan. and all that Szech∑Ån means to the Chinese sense of self, around the world.

In the literary sense, of course, and a literary sensibility, most preferred.


Who do you trust with Asian and Asian American literature?

July 31,2019 – Commie China - Taiwan – Hong Kong Singapore – Japan- S Korea – commie comic book – N Korea – are echoes and flashes of "Kingdoms rise and fall. Nations come and go" from "The Romance of the Three Kingdoms."

We failed to read the translation of "General Yue Fei" in 1975- the same year as advance copies of 'The Woman Warrior " is sent - we failed to come together in the oath - we failed to be men & women -like the 108 Outlaws - the Chinese folk live in a universe of men- Liu Pei (heaven) Kwan Kung (man) Chiang Fei (earth) are men - they are not gods – they are the best men at the time - they embody the Han-morals are community ethics – are altruistic and written as time and space move - the white and Muslim religion morals are set and unchangeable except by a god that does not communicate - the purge of departments in commie China following a newspaper protest over demoting Yue Fei from a Chinese hero to an interesting person – is an 80's trap - the PRC issues a series of postage stamps with scenes from Yue Fei's life.

Martin Yan – lives the Tao – he never insults his visits or visitors- he seems trying to build a lively audience – the Yellows (and he brings in all Yellows and their chefs and barkeeps) look like they have guns pointed at their heads and the command given with a leer – smile or else!

Martin Yan fights two centuries of scared stiff generations for an audience under white colonialist, nationalist and communist dictatorships, Taiping Rebellion, Boxer Rebellion...

Ming Tsai – is all American ego – his form to the death-tarzan yell! Ming is believer in the Cameron House Jade Snow Wong Maxine Hong Kingston - Charlie Chan stereotype of Bessie Loo's "professionals" - the Korean p'ansaori storyteller in the movie "Chunhyang" asks a theater audience to encourage his telling five hour story by giving voice and giving body to urges that well up. An hour in, the voice and the drummer take hold. The audience stirs.

Chunh'yang" is told as a fantasy history of royal love for a nonoconubine beauty who demands – a promise of being his wife – and not a plaything. Both the royal and Chunhyang are seen frolicking naked like children while mom prepares a meal.

The scene is long and hides not a hair but the effect is innocent sex - while mom cooks in the next house.

Unlike Nagisa Oshima's Japanese Shakespeare in your face!! "In the Realm of the Senses" tha† observes sex gone mad while the Japanese nation marches men to war in China.

It's time the artists – the Yellow artists say what they are doing. To each other. In front of a Yellow audience.

The real artists are not scared. Our time has run out. Thanks to the Chinese Americans born after 1940.

Have we really run out of Yellow Art? Nobody Yellow has the guts to ask -just ask ambassador Gary Locke if Far Mulan was tattooed as Mad Max says? I'm amazed that nobody Yellow has the art to note the similarity Twixt Masaoka's lies about the Nisei and the Jewish judenradt toadying up to their Nazi oppressors.

Masaoka is dead, right?

Excuses. He's retired. He's not retired. Ask him. Are you retired? Why elect a Yellow to an office of white power, if you can't ask that Yellow a Yellow question about white people ? The elected Yellow is a public servant. Ask him or her Anything. We elected him.

Ask him. He's dead. Ask him. The dead great and near great and self-important cling to the life of their writing.

Sam is five or six - Kwan , directs, writes and narrates – 15 half hour docs shot around the world and Cuba – hr finds a sham Chinatown with a homosexual sing of Desi Arnez songs as his Chinese act – the Chung Wah is abandon by the PRC. No Kwan Kung in the "Chinese restaurants" Cuba episode.

Pok Chi Lau - a photographer teacher at the U of Kansas – happens to be in Havana around the same time as the Canadian crew, and finds a 71 year old adopted daughter of a Chinaman who teaches her to sing and perform and direct Cantonese operas. A Kwan Kung poster from the 1960's is photoed in the hands of Arminda's grandson.

Liu Pei (heaven) Kwan Kung (man) Chiang Fei (earth) are not gods - they are men - like us – our ancestors choose to trust until Liu, Kwan, Jiang, and Chew fail they fail – the ideals of Han shine again in the tang. Blazes brilliance then comes the 7th Tang Emperor Taiziong and his obsession with Yang Kueifei's fatass - and the rebellion that sets him fleeing to Szechwan, and the rebellion on Taizong's Janissary guards as he flees. Kills Yang Kueifei or we kill you.

Someone says I have never earned a nickel in my life. True.

My writing is deemed worth less than contempt spit as a gob on the floor. Reminds me of Li Po mixing spit in the floor and ink and a painting of him cuddling a tiger in happy sleep.

My writing is a way to the fantastic world of Asian folk lit to the movies and Hollywood - and Monkey and Kwanyin leave journey to the west 3 chapters before the fake happy end - the impossible lovers run to a dimension beyond Buddha's Nirvana, and tickle themselves to dimensions way beyond

It is written

July 31, 2019 7:34 pm-

Li Po reportedly writes his last poem drunk and trying to capture the reflection on the moon in a water jug. A wash basin stupid! Huh? Li Po carries a wash basin with a layer of water spread to the basin edges. Until he sees the moon in the basin. Li Po writes of the folly of capturing the moon by drunks or anybody. And the room full of monsters before fishing and hunting the morning fog along the dismal river stand Li Po drinks to hear his stories.

August 1, 2019 - Thursday

Can you take the country out of the boy? Yan can cook - Chengdu -

August 3, 2019 - 9th weekend of protest in Hong Kong -

If the Yellows of America stopped the crybaby competition with the blacks and browns and colors galore for white sympathy and love - and hang on a common understanding of our fucking or nonofucking selves –

Like the trio of the Peach Garden - that evolves into the Water Margin - that grows with knowledge to General Yue Fei and the Far Mulan sisters Liang Hongyu and Mu Guiying-

Our continuing the struggle to plant old seeds in new ground might give the folks still living in the old homes of Hong Kong Taiwan Korea Singapore Asian courage (if courage exists here. But aiiieeeeee! can't find a trace of it. I've been looking since 1940. The Yellow lobby groups have folded their tents and fled for white skirts. the Yellow politicians don't know what they talk about. Shameful if you're Yellow, and funny as Pearl Buck and Pearl Harbour if you're not. But we Chinese that have transformed ourselves, according to Will Irwin, from race adversaries [of the superior white race of San Francisco] to our dear subject people" (1906) accept the superior morals of the white racist - and dictate Yellowinferiority to the white man and love being free of morals & ethics and all sense! Freedom of responsibility! Free!

The tongs possess all the honor of Chinese individuality. The tongs are hated for knowing white Frisco better than any white man. We know the enemy as well as ourselves. That's life. Life is war.

I am not a Chinese-American. Chinese-Americans are white ornamental orientals.

The Chinaman's view of George Takei's love of white of white lights of TV is expressed in my art of facts and knowledge "Born in the USA" against his fake facts deeply vocally stylized as high fallutin syllable bulging vocab oh my! Nonsense.

My Chinaman art vs George Takei – because my art and his art gives me the right. Take this sniff as a slap across the chops from the four authors of the melodrama Frederiique Lematitre, just murdered with his snide asides, and challenge him to a duel. In Marcel Carne's "Les Enfant Du Paradis."

A duel with art. We each get an hour to show our art is more than stuff. And an endless hour face to face. Children permitted with at least one parent. Bring a pillow and blanket. Bring your lunch. A Tao meet on the street of life.

Oh freedom!

George Takei - the JACL – and the US Gov – vs frank chin – the author of George Takei's best acting- and worst acting – the fred he steals from the stage performance of randall duk kim– chin and cohorts stage the reunion of the fair play committee with frank emi in l.a.. George Takei is at the new union church and that is as close to emi or james omura as George got or as close as the back of the crowd . he is one of the crowd.

If his "they called us enemy" falsifies the arrest of frank emi, who's going to sue for libel? slander? lying?. and no Japanese American lawyer or politician knows his people's own history well enough to do anything but bite their lips.

The honor of Chinaman art does not allow me to the honor of calling George a white man's ornamental oriental – telling lies about his honoralble people .

I can call him anything I want.

Oh, freedom!

But I'm not Japanese American. Or a Japanese American artist.

Free! Freee! To see a Yellow star kiss white ass.

August 5. 2019 - Dayton - El Paso Trump first time use words "racism" Katy Tur notes. And 'white supremacy" says BBC. Hong Kong goes on strike – airport? Beijing Gov – calls their army and Triad thugs - the Triads have always controlled the ports of Shanghai, Hong Kong, Singapore.

The duel of the Yellow artists - Frank Chin – Chickencoop Chinaman & The Year of the Dragon, (Aiiieeeee!, and CARP publishers of Okada's No-No Boy,) Donald Duk, Born in the USA) vs George Takei – (Star Trek – Baa Baa Blacksheep, Howard Stern Show, TED talks, & series of autobiographies "Allegiance" – "To be Takei," "They Called Us Enemy.)"

Free to anyone interested – a fin for a Yellow's lunch. In the cigar box, please.

Hing Hay Park is a community gathering place – a neutral ground for you to pick up the gauntlet. Before fans, witnesses, passers by, the lost.

George Takei.

Hing Hay Park in Seattle is where.

Give me two weeks ahead of when.

And I'll be there.

The Real vs The Fake - the sig of the two plays at the American Place Theater (The APT) is run by Wynn Handman - is they are the first stage prod not sponsored by a University Sociology program -the Frisco Workshop drew audiences from the Yellow to Tan communities surrounding the California St location. From Chinatown through the Richmond District to the sea.

George Takei is for who has guns - Chin is for the written word - no guns - no money -

George Takei -from fantasyland white sci-fi – discovered on UCLA campus by Gene Roddenbery - Sulu - the name intentional racial confusion – the mission redefine the Jap-Americans of WWII - he makes hell to eternity – with Miko Taka – Japan TV- asks George why hasn't he acknowledged he was in hell to eternity – directed by Phil Karlson - with – Miko Taka, and Japanese American actors Michi Koba Reikoo Sato?

Miko Taka is the actress wife of Sessue Hayakawa. She plays George's mother.

She tells 14 year old George a truncated version of Momotaro that moves George to accept the abandon white boy, older brother who's a coach of high school sports, brings home. The abandon kid grows up in a Japanese American family to be Jeffery Hunter as Gabaldon – who doesn't appear until the day before Pearl Harbour- with the second half opens. To war in the Pacific. And Sessue Hayakawa a real gen - Matsui commanding Gen of Saipan – in the war action half of the movie.

The Japanese are interested in an American Jap's memories of acting with a pioneer of the American films silent old days? The Japanese interviewer asks, in Japan, about generations of Japanese actors.

George simply did not respond. He shuts down. I ask him myself in an interview of my own, in the days before the interviews inform my scripts and fiction. He shuts down.

The Japanese station still headlined their story: George Takei talks of acting with Miko Taka.

The transcript of my interview with George is in my papers at UC Santa Barbara library, at UW.

Unbeknownst to me, Ishmael Reed - writer collector of the multi-cultural Bay area anthology "19 Necromancers From Now" sends the Chickencoop script to Chiz Schultz, at Harry Belafonte enterprises, and he sends the script to Wynn Handman, at the American place theater in New York City. And Wynn Handman gives me a call.

Kenneth Anger -

Art – a simulation of reality -

I didn't ask to be born.

Walter Cronkite: (you are there!): Who are you?

Poon Goo: How do I know?

International airport Hong Kong – thousands – demonstrators - riot police - -


You seem to have the connections to get my comedy out to the Japs and Chinks of the last two centuries in America sort of reading -

Too bad you can't get anyone to write or talk to their Yellow politician - and ask about Masaoka and obedient the 442nd under the eye of the JACL and the Gov. what is the source of the JACL 442nd bravery? The Japs are still ashamed of themselves for bombing Pearl Harbor – too bad the Yellows are too chicken to ask their Yellow politician about the truth of the woman warrior Far Mulan being tattooed by her parents as Pres Clinton and Pres Obama repeat the contempt of Maxine Hong Kingston?

So the Kung Fu American Yellow muscles of the movies can't talk to real people in the real world. They only talk to extras. Because they're Yellow stars.

Let's engineer a show of American Yellows stuffing the stereotype back up the white man's racist ass. A show they've expected in Hong Kong, from America a long. Long time now.

The China we leave expects us to take authority over our history of coming to America. They don't expect us throw faces on the floor in shame for not being white. But whimper and sob is all we've done since Pearl Buck's MGM film of "The Good Earth" with MGM dictated whites only in in the leads! and we've been happy as bessie loo agency professionals with a wink an Irving Thalberg and second rate, ever since.

Get Keone Young, the most hated and grudgingly recognized for workmanlike acting on time on the the mark – and more and not unwelcome add to the acting – and the crybabies with movie muscles in Frisco D.A. Adachi's "the slanted screen-" this rushed movie venture is Adachi's "Mr. D.A." an old radio show - David Brien as Mr District Attorney. David Brien is the white attorney, in intruder in the dust – based on a William Faulkner novel.

The diff between the imperial court of the high as one can go – represented by men claiming to have taken dictation from god. The words they have written is their proof.

And the folk who say bullplop to all that fake proof –

The only god the folk know is the first known ancestor of the family - I didn't ask to be born - the one always cries -

The folk are represented in the stages of man and trust among men – Three Kingdoms -Kwan Kung goes from dedicated soldier to water margin – the center of attention goes from the soldier, to Soong Gong, a county clerk who accounts for all who pass through his jurisdiction - and he is knowledgeable of all weapons and can instruct – but is not expert – a man has learned to recognize talent, and distribute it's use without jealousy.

A Kwan Kung like character – is created in Water Margin – he's not rejected

The characters based on real heroes evolve - thru Monkey to Yue Fei & the stepsisters of Far Mulan, Liang Hongyyu , and Mu Guiying of the Song - that falls to the foreigner Kublai Khan – and signals he's really Chinese with the name name of his dynasty Yuan, the Yuan is Chinese again in the Ming, and Chen Lianngyu of the Ming. The Manchus Avange the Mongols Ming, and replace it with the corrupt, rotted and rotten qing, Ching the Final Dynasty, but not the end of time.

I call to the Kung Fu – Karate – Judo roots of martial artists to recognize Kwan Kung as the man behind your manly art – he is one of you . ask the questions that have to be answered before any Yellow in America is taken seriously.

Send a word of encouragement to Hong Kong from the Yellow world of entertainment -

The Chin vs Takei – hosted by Keone Young – the uncredited perfectly bad singer of Armerican songs in "Air America " directed by Robert Spottiswoode - Mel Gibson – Robert Downey, Jr - at Hing Hay Park -

I'd like to write his understanding of Mako's theatrical theory: we are all fools – I'd like to hear he was beginning to change with "And the Soul Shall Dance-"

I'd like to see Martin Yan vs Ming Tsai on the road ...


The most genuine Yellow entertainer whose being attracts Yellow affection – like pat Morita & Jack Soo - approaches the American Hollywood affection for actor-activists Konrad Veidt & Peter Lorre stand for German art & culture boldly against Nazi usurpation of German civilization by Adolf Hitler- is – or are Pat Noriyuke Morita & Jack Soo. They insisted on being known for playing Nazi -or Nazi-like villains.

The Yellow affection Yellows have is personally timid to secret- the reasons- Masaoka licking white ass as the JACL, winning USA Gov custody of Japanese America- and white racist contempt for the Yellows as intelligent, cowards & stateless queers - rejected by every nation -including where we come from.

From where do we learn to believe we came to America to become white? From the same place that James Hong gets his orders "the white industry " whites and Bessie Loo the public agent of white Hollywood who supplies the Yellows that give the geography of Southern California an authentic Chinese atmosphere. And make Pearl Buck's novel, The Good Earth, a white racist Pearl, as the first movie of the movie morals act of the hays committee – "The Good Earth" – forbidden foreigners (nonwhites – like Hawakwa who leaves h'wd and valentino who dies-) in the leads - stars – second leads -ok James Hong the "professional" in the "industry" appears on o'farrell bros – porn pioneer - "the green door " escap – and Aftra the actors unions has rules against movie actors working in a porn movie, pioneer or not. He's turned in! There's James Hong as a butler in Chinatown, and an eye maker in Bladerunner.

What of Japan's movie critic turned porn meister with "In the Realm of the Senses"? - a film condemned in Japan as porn till the French art film buffs took to it – Nagisa Oshima is celebrated as a movie maker who goes deep into Japans social issues – he is last seen as a food critic raconteur on the pop competitive food prep show "The Iron Chef".

So, instead of going for the Yellow entertainer who sneaks into Yellow affection and attendant, guilt (what will the whites think?) the Yellow entertainer everyone would rather not know – but grudgingly see, as bad as he is, real or not, he is the only Yellow man in the American little important parts played by a real Yellow.

Of course, I speak of, a man who needs an introduction! Keone Young.

Keone Young - plays an upright piano and sings Hong Kong blues to cheer up the battle of Hong Kong vs PRC

Hong Kong blues -

It's a story of a very unfortunate colored man who got arrested in old Hong Kong/ he got plenty of privileges taken away from when he kicked old Buddha's gong/ and now he bobbin the piano just to raise the price/ far a ticket to the land of the free / well he say his home's in Frisco where they send the rice. / but it's really in Tennessee./ that's what what he say/ I need somebody to love me/ I need somebody to care-ree me home to San Francisco/ and bury my body there. / /I need someone to love me / a fifty dollar bill and then i'll leave Hong Kong behind me / for happiness once again/ / won't someone believe i've a yen to see that bank again / each time I try to leave / sweet opium won't let me fly away / I need someone to love me / need somebody to care-ree me home - to San Francisco and bury my body there.

Keone Young, will ask , George Takei – why did George Takei reveal his fondling of a white boy in his dressing, when nobody knew or knows of such a boy? Are you that desperate for ...uhhh... fans?

Yellows are not refugees – we are not people that came to America to become White or be changed into a White man's version of reality.

The Yellows that know they came to America to give up Yellow for White supremacy are born after the whites of San Francisco have had us in White custody from 1849 till the turn of the 19th cent into the 20th Century.

They leave the airport - the airport police the the airport of printed posters describing of police - tactics. The difference between a local like Hong Kong and the nation with the guns - the PRC spokesman accuses the protestors of being terrorists! Local or the PRC - like the people having to choose between contradictory orders from three sides - Luo Kuanzhong Romance of the Three Kingdoms - is the story of the men who follow the efforts of liu pei , to restore the morals of the han , supported by money arms and clothing from jiang fei's self-sufficient farm, and the arms & strategy of a man, Kwan Kung. the Han has been usurped by Cho Cho (Cao Cao) "i'd rather betray they world than be betrayed." Which bodes not a recognition Han morals. And to the South Yuan Shao, a Cao Cao follower turn to his own arms-- now his son commands the whole east coast from the Yellow River to the Yangtse... Yuan is considering an alliance with Cho Cho.

Kungming (Geegawk Leong) the strategest - Liu Pei – campaign to woo the Yuan Princess into marriage over a week of written instructions- while Kongming the strategist debates Yuan strategists in front of Yuan.

Toward the end of the Kublai Khan's campaign to Vietnam – there was a Chinese merchant who gave his neighbors a plan to use the land of Vietnam to defeat Kublai Khan- a plan for booby traps of SD bamboo sharpened to puncture – and under ground living and defense for platoon sized units – the vegetation and lushness and mosquitoes bugged the horses and bad news sends kublai north to the capital and beat his brother to the khan of khans. his book of plans and diagrams of his traps and underground structures is locked behind think glass and chained with a large lock in Hanoi... if only I could recall the name of the Chinaman patriot of Vietnam.

Frank Leslie's Weekly magazine – Frenzeny & Tavernier – engravings & story – Chinese opera – catches my eye – Baxter Street Clubhouse -the picture on the wall behind the gamblers at table is obviously Kwan Kung, seen and drawn fast Chinese shrimp harvest in Monterey – the engraving is paneled. the Chinese in various activities, netting the shrimp, drying the thousands of shrimp. The scenes in Marlon Brando directed "One Eyed Jacks" with Phillip Ahn, as the operator of a hotel for badguys on the run, at his shrimp bed, is the only depiction of a shrimp bed that is like the engravings in Frank Leslie's weekly of the 1870's. A visit to Phillip Ahn's house with photographer Nathan Lee, from SF State, puts my hands on the uncut – unedited first script- to One Eyed Jacks- the scene with Phillip Ahn at the shrimp bed is pages and pages the velvet voice of Phillip Ahn won't allow me to copy.

August 13, 2019 – Hong Kong – called Hong Kong – PRC called "Peking" Seattle is Seattle – and USA Gov called "Washington." Ben Rhodes- the Atlantic mag- Aung San Suu Kyi – out of power – civil rights – to get power - the fear of losing power turns one against change – Aung San Suu Kyi.

Hong Kong – day two of airport shutdown - passengers trapped – flts in - but not out - protestors called "rioters" – approaChing "terrorists" which would trigger the release of pla miitary response modeled on Tiananmen massacre - whoopee!

Well, Keone Young has my number – he needs advice before he reads from Okdada's No-No Boy for an Asian-American recording co - I tell him to read No-No Boy first than call me. Once he reads all of No-No Boy, I want tell him, Okada's No-No Boy, is Shakespeare's 94th Sonnett- "they that have the power to hurt, and will do none,/they that do not do the thing they most do show."

Keone never calls back - but he does the read for an Asian American publishing co - does the AACO pay the Okada family royalties? Probably not, because CARP, the publishers gave the rights from Tuttle - cheat themselves out of the rights for believing the University of Washington kept their word. the UW does not keep it's word.

I'd like Keone to consider playing the host of the Chin vs Takei – over messing up "The Year of the Dragon" as an Don Rickles – mean aggressive putdown artist -

The scene: Hing Hay Park - Maynard & King Street - Seattle - the event; a duel of artists with the weapons of their art:

What's the beef? Chin authored the play-The Year of the Dragon - Randy Kim creates the lead role - on stage wins notice in Newsweek & the New Yorker – George Takei – plays Fred in TV staging of the play. Chin notes that George usurp's Randy Kim's fleshing out and blooding of Fred. Chin has to be properly stoned to accept George's performance as not hiding his kissing himself all over.

As the last actor to play Fred, the lead, in The Year of the Dragon, I have experienced having the lead thrust on the actor, by the cast, whoever is cast. Chin notices the difference in Randy Kim's leadership, and George Takei's.

Also; Frank Chin and Aiiieeeee! literary research goes from Okada's No-No Boy, to the heart mt Fair Play Committee , winning an amnesty and an apology for the time spent under the impression the nikkei had no rights in camp. the wra & JACL are wrong. Attached to the amnesty is a letter to the resisters from the commandant of the American Legion - the WRA and the army can't be sued. But the JACL can. Go gettem!

George Takei sees the Fair Play Committee of Ht Mt, a camp states away in Wyoming through a child's eye of imagination in his play written for him not exactly, by him "Allegiance".

George Takei's sees the Fair Play Committee of Heart Mountain as traitors to the JACL vision of Japanese America. Were they really for Seattle being taken over by short little Hiro Hito's with white mans big guns on their shoulders?

Notice! I say nothing. Nothing, ladies and gentlemen, not a word about the brilliant performance, directed by Mako. Of myself. (Keone flashes from sweaty, buggeyed, clashing eyebrows Don Rickles to cute, soft, and cuddly and still male – sort of like Mako in a mellow mood over food and beer.)

Cheer up Hong Kong - now on with the show - (aside to Emily who's not there.) You're right, Emily. Every little bit helps.

Japan unit 731 at Haiphong, and Himmlers secret scientific experiments to prevent bio infections. From the laboratories at Aushchwitz comes – charged charged with malaria from feeding on Jewish prisoners dying of malaria induced by mosquito bites.

The combo of people I energize my message to, a few will strum their nostalgia and Keone Young owes me a call.

August 14, 2019- Wednesday-

Taste of Malaysia – Martin Yan cooks with Queen Tuamaku Hajah Haminish at the Roual Istana – the original iron chef – has the wife of Japanese ambassador to Tahiland, who studied royal cooking and took lessons from a queen of Thailand, challenges iron chef Chinese to a match - Chairman Kaga unveils the secret ingredient: pineapple – or sugar cane – or Taro -

The hagfsh of Kentucky seals a deal for a Russian Alumininum factory for the blugrass state and money in his pocket. Mrs Hagfish Elaine Chao's dad in Taiwan gives the Hagfish family two million and growing dollars. Think of it: Mrs Hagfish as pregnant!!!!

What will the offspring of the Hagfish and the ornamental oriental look like? Too horrible to imagine. Remember the creepy scene in "Rosemary's Baby" at Jimmy Hongs creepy sushi bar? ... No, you don't! Why did you think a blink? The creep Jimmy Hong comes to mind. The blink isn't your fault. It's the movie's fault.

Orson Welles radio is real – radio is the sound fx of h'wd & New York – Stan Freberg – radio can flash here to there from now to the unimaginable - Rod Serling – Gene Roddenberry – Lewis Milestone (from "All Quiet on the Western Front" and "Walk in the sun," and "The Purple Heart" to "The Halls of Montezuma " streamline movie tech to tv - and "Have Gun Will Travel".)

Thursday - August 15, 2019-

– Trump advises Netanyahu of Isreal not to admit Omar & Talib from the house of representatives into Israel - Omar & Talib hate Israel- the USA & Israel are religious white supremacist dictatorships - Colonel Leslie groves designs and builds then camps toe house Japs in six months! He's promoted to General and puts together the Manhattan project in 1942 – his wish is President.

Roosevelt's command – groves chooses Oppenheimer to run the science - and where and what is built and what is sought and the way in and out – the similarity between the Jap camps and the Manhattan Project is – speed - manpower - and shhhhh!

Monkey in hell and eyes and ears on all time learns that what is written stays written and cannot be changed – the writer changes and writes today -

Ray Bradbury - a sound of thunder - time travel rules do not step off the clean bridge and change a living thing in the past we walk - and oops a tourist trips and steps on and smashes a butterfly. Upon the return from the past to the present the travelers notice several small but significant and sinister changes to everything from spelling to the outcomes of elections. - The hero guide raises his weapon at the clumsy tourist. There's the sound of thunder. The Bradbury story is made into an ec comic - then several tv incarnations.

Ray Bradbury has written Herman Melville for John Huston- and Orson Welles to voice,

The writers from the top to pop say one writer cannot rewrite what is written, no matter how right the time.

Monday, July 15, 2019

A Poison in Asian America?

Ken Narasaki to Frank Chin:

"You, who were once a life force that helped spawn so many Asian American theater artists have now become a poison determined to kill your fellow artists because they are not you.”

Frank Chin's reply:

Narasaki is wrong. I am not poison to artists who are not me. I am a reader who can tell the difference between John Okada and a student of a White racist creative writing teacher, or a stranger stealing another’s work.


Why do I say the people-

Literature – the Triad of Lit life - The Writer – The Critic - The people written by the Writer- In America: The people don’t exist without a publication, a newspaper, a magazine, a radio-tv station, a channel, a market radius.

The Jews that made every conversation conscious of the Jewish history, humor, and art, whew! All the arts, a Jew was there, the artist, or the model. Always in the background: a target. There were many that helped me get my plays up, in New York. A couple have become my friends in art and old memories.

Think of the Ten Concentration Camps as neighborhoods of a city in America. Look at all busts and monuments in front Government Bldgs to the JACL and Minoru Yasui as champions of Nisei Civil Rights. Goering in jail at Nuremberg said 50 years from now (1945) every. German home will have little statues of Herman Goering. German homes don't, US Government bldgs in the Denver part of town have statues and busts and friendship with Norman Moneta got the Secretary of Transportation (January 25, 2001 – August 7, 2006) a monument to his brother-in-law, Mike Masaoka, on the same ground as the Vietnam Wall.

Atchison, Topeka, & Santa Fe 3751 4-8-4 Northern – through Bakerslfield- tumbleweeds piling against the wire of fences between the freeway paralling the track first then I’m looking at - through Bakersfield- San Bernardino-Arroyo Saco Bridge – I know that Bridge – I recognize that sound of the beast spreading like butter over the sleeping two story houses-1991 California ltd -

The story of civilization is the weaponization of God & Government modernizing with law and separating from lawless the country folk-

Tara Finkle - calling the Aiiieeeee! boys "controversial" is the white scholars way of saying Aiiieeeee! is alive and beating blood, and white American Academy Scholarship on Asia is dead- and always has been. If they were ever alive, they would have started with the way children are taught-

Thanks to Tara Finkle and the UW Press Catalog that comes to me in the mail, I am reminded that a Chinaman's first introduction to the world, is his mother, and the presence of her father that come together with a tickle, and a story as parents.

A story for the kid. That is the first animal instinct toward the Tao - the Road. The University of Hawaii Press is the only teller of children's stories from Asian and Asian American storytellers.

The spokesman, for the writer - editors of Aiiieeeee!, Shawn Wong, a drag racer, a poet, a novelist and teacher and prof at UW, declares the personal and the literary reps on the yellow authenticity of yellow people’s children's stories told in the manuscript "Stories for Sam."

I hope to pop up in a tour of kids from the Wing Luke Museum, out of a door of Panama Hotel storefront-

Children of the world. Are you brave? I am a storyteller. With your parents’ permission, may the storyteller, tell you, a story for brave children? Hmmmm?

Shawn, I've done told stories to kids at the Panama twice for TCG, and on the street with Betsy and Jan Johnson, and a restauranteur whose card I left in a book - on the edges of the mob of little people and their white Wing Luke guides.

I also told stories to Betty Lau's ESL class in Mandarin and Cantonese with a white genius and his smart and protective sister enrolled as students at the Chong Wa Hall - I met with the parents of the students and am surprised to learn the parents remember you from their days as students at UW. The kids you teach grow up, have kids of their own, who grow a little.

They say they find nothing objectionable in my storytelling.

Simply put. Real Asian American Lit begins with real Asian American writers, telling real Asian-American children's stories, and in the 21st century, why. White man! Clinton, Obama, Trump you white racist Christian insistent quacks for humanity, art and the great white way.

Light bulbs for George Takei on Broadway go on and buzz, but refuse to glow.

On Stephen Colbert Tonight - Headline Donny Duck - tonight: Entrepreneur Andrew Yang the Chinese running for Pres - the reminder to Donald Duk - coincidence? Yes- pure accident- Colbert and Chinese Yang (born Jan 1975 - 1978 he's 3 years old) from New York - Brown & Columbia - where the fast stalking Yang Gang never heard of Donald Duk. Of course, Colbert's refs to pooping in the sink on TV - is not a coded signal to fans of PA being the first Chinaman to poop on a New York Stage - Yellows in the audience see, I would like to say, witness. Bu the Yellows in the audience of a white theatre (but not white racist) are shy or fuming like Betty Lee Sung, or some other excuse for Yellow silence.

Randall Duk Kim is an actor who leads – his acting – trained in Shakespeare the English moralist- and Shakespeare the English theatre training – (be true to yourself) Hegel the German philosopher says – Chinese have no zeitgeist – no artistic soul -no national identity – no Shakespeare Randy's acting with the motley cast made me forget I wrote I watch as if it's a family like mine – I see and react like a monster – I can test myself through actors acting the dark I don't know that scares me –

You can't write a man better than yourself – but Shakespeare tries -the Chinese Confucius is no Shakespeare – I had a Shakespeare & Burbage writer & actor moment with Barton Heyman, seen now and then as a Solomon-like judge on law& order- Randy complains about the changes I write every day. The cast complains. Randy adjusts and his concentration affects and leads the cast to the best of their ability. I write a play about Chinatown I see in 1976. I write a play forget I wrote, and want to know randy to show me, better than me.

There’s no beyond nirvana, thus sayeth the Buddha- stuff it, says Monkey – in "The Journey to the West" the west is India. Monkey is blackmailed by Buddha in the Tang Dynasty to go to India, and come back with the Diamond Sutra with the magic to save the Tang.

YANG KUEI FEI – YANG GUIFEI - simplified Chinese: 杨贵妃; traditional Chinese: 楊貴妃; pinyin: Taoist nun name Taizhen (太真), was known as one of the Four Beauties of ancient China. She was the beloved consort of EMPEROR XUANZONG was the seventh emperor of the Tang Dynasty in China reigning from 713 to 756 CE During his later years he falls in love with the concubine Yang Guifei’s fatass, and condemns the court poet to Hunan province (the Siberia of Dynastic China) for a jealous concubine’s misstatement of Li Po’s admiration.

His reign of 43 years was the longest during the Tang dynasty.

In the Ming, the anonymous author reveals himself as wu cheng en, and writes an insert between the chapters of monkey becoming the king hell with the view of all the bad guys of time – and the guys condemned to hell by bad emperors. And the chapter of Monkey after messing up Buddha’s hell – the we Cheng en insert purports to tell what mischief Monkey performed in hell.

As the king of hell, Monkey who lives in a story of saving the Tang 618 -907 ad – summons the executioner who killed Yue Fei, in the future Southern Song Dynasty (960 and lasted until 1279) Monkey summons from the future, Yue Fei, and invites him to wine and Char Ngau and relax with the King of Hell and enjoy the unending torture of the emperor's prime ministers' dirty hands. Yue Fei politely returns to his future in hell. A perfect gentleman farmer, like Frank Emi who impresses all as perfectly dressed and radiates integrity- wearing a hairy gunny sack- Yue Fei, like Emi is kind of judo prude that makes him a strategist on instinct – and a great strategist with great teachers. Yue Fei, like Frank Emi, likes friendly competitions- to test himself- he refuses to fall for the emperor's son, who draws a weapon in a bout to be fought bare hands and bare feet- Frank Emi is known for throwing a white man, Hakujin, who called him a Jap boy, at the Emi family roadside farm stand – Frank Emi is on his way to a network of grocery stores, allied with his brother Arthur who could be dressed in the latest tailored designer suit and impress the onlooker as a farmer in a gunny sack. One truck to the L. A. wholesale farmers market – two stores -in two prime locations – December 7, 1941 poofed that dream.

George Takei has faked the arrest of Frank Emi as a chase uniformed soldiers with rifles and the blades of bayonets extending from the muzzles. Ending with Frank Emi tearfully saying, "I surrender." Which is a line from George Takei's role as a Japanese officer trying to capture the president's wife. Eleanor Roosevelt, on her visit to a front line in the pacific, marine unit. Commanded by Robert Conrad in an episode of "baa baa black sheep" or "blacksheep squadron" starring Robert Conrad, and the F4U corsair with the gullwing – known as the silent death by the Japanese on the ground – the real Frank Emi answers a knock on the door that opens, out, not in like front door of an apartment. An FBI man, with no gun or knife in his hands, and a man from the JACL. Frank Emi is dressed in a dark suit and tie. He gets in the backseat of a dark car, with the FBI man. Another FBI man stops waiting in the front seat and puts the car in gear and drives out of camp Heart Mt. that's the account of events from the FBI agents and the agents who read and released the reports to the army g-2, naval intelligence.

Yue Fei is about to launch an allied attack on the Jin capital when he is charged with treason and summoned to the emperor at Peking, arrested and thrown into the hands of the keeper of prisons with orders from the prime minister to kill Yue Fei. The keeper and his wife argue over how to profit from the death of Yue Fei.

The keeper of prisons and his wife are cast in iron, outside the tomb of Yue Fei - in his intro to his translation of Guan Cai of the Ging Dynasty novel (of Song Dynasty events) General Yue Fei - Tia Ling Yang, writes of pissing on the statues, as a 14-year-old kid with his father. Before entering the tomb of Yue Fei – become a temple by West Lake, in the city of Hangzhou, T.L. Yang is 14. Through one 12-year life cycle.

Randy Kim's Shakespeare company – generously taught and built an audience for Shakespeare and Milwaukee revived memories of Shakespeare wagoned in to rendezvous of the fur traders from the city and the trappers and Indians trading festival that combined with liquor results in the new American high-spirited word lashings leading to Davey Crockett & mike fink- putting their names to masters of the art of Shakespearizing every American turn of words.

It's not Randy's fault none of the students of his Shakespeare festival were yellow. From New York and Canada on west to Milwaukee, Wisconsin and west to Seattle along the lines of the Canadian notional and the northern pacific from Minnesota to the Pacific Northwest -

Why is the northern pacific yo-yo the symbol of the Tao on the sign of the N. P. hotel, next door to the panama hotel down the hill 6th ave?

Why not the railroad running further north, and funded by private money from St Paul Minnesota, James Hills great northern with the goat in a circle –

From east to west the peaceful divisions between Indian tribes and their hunting grounds, were white man speak with forked tongue - red man tricked away to prison camps called reserves in Canada. and reservations in the states.

The late 1880s hosts a number of Chinese and Japanese and the Mexicans working on three cross country railroads and there are the north -south lines, funded by a government or private the railroad is built with no respect for the tribal lands that are now railroad property.

Arminius the German raised as a hostage as a roman, who turned on the romans he was trained to be, and united the tribes the romans trained him to betray- Arminius who remained Herman the German, and led the tribes in wiping out Varus and his army of city boys used to marching in order in streets of cities stumbling over uneven ground and roots of trees in a spooky forest.

David Ishii got his ear for the Wagner circle of fat lady's with wings and horns on their helmets singing, in Milwaukee, Wisconsin. his aunt moves to Wisconsin from Seattle to avoid the wartime fear and hatred of Japs. on the west coast. Milwaukee cheery with beer and the fat lady bellowing the end of Hitler’s favorite operas with a bang that's the music of happy brass – Leni Riefenstahl choreographed triumph of the will and Hitler dancing in the dark to Wagner.

might a black troupe of Shakespearean actors arrive at a rendezvous and trade festival by wagons in the 1850's? Shakespeare on wheels that are theaters on wheels, did perform Shakespeare’s hamlet, (a crowd favorite -) and Falstaff, a favorite Shakespeare character in henry iv part one and part two – leading to tall tales of and by Davey Crockett & mike fink,

Randy Kim’s Shakespeare company outside of Milwaukee is in territory where the tribe is split by the French Indian war north part of the tribe and the British and the southern part. the treaties before the revolutionary dismissed, by the white winners. Indians hold the bag. the white man cherishes and honors their past. the Indians want to. but the whites won't let them. what? the land in every direction groans with Shakespearean tensions.

Shakespeare teaches Raymond chandler how to use similes in detective yarns, and English patriots to see similes and metaphors as code. the most morally contemptible metaphor is Berthold Brecht’s, "good woman of Setzwhan."

Mao tolerates Brecht’s portrayal of life in Szechwan? Is Mao’s indifferent? Or does he read commie art? John’s. Service knows. Who's John’s. Service? The shadow knows! Heh. Heh. Heh.

unfortunately, the yellows of America can no longer tell an innocent commie ideological metaphor, from a white racist lie.

It's no accident the commie white racist hates the center of li Bing and 10,ooo prizes of war, moving a mountain, changing the course of a river and founding a civilization. setzwan, the Tao was first stated in four rivers country. say = Chinese word: four chern - however you spell the sound of the Chinese word for: rivers.

the river runs through Chengdu to the rice plains of Chengdu when Liu Pei and Kwan Kung and Jiang Fei Ride through Szechuwan and "borrow" Chengdu.

bad enough the white man uses his racist language to teach me the use of mine. but worse , is the worst. yellows in charge of Asian American studies at ucla- yuji ichioka, and founding editor of amerasia journal, russell leong have been correcting Asian American scholars with sparkles and shines for the truth of commie metaphor. and not a yellow phooey from a yellow scholar or

standup comic. not one.

Meantime: 20th century: royal Shakespeare company, London, and Laurence Olivier’s, movie , henry v with Falstaff , and color FX from a period theater to period reality of murals and paintings , a charge of knights in armor , clank on walking horses that thump into a trot then a snorting charge ( reminiscent of Sergei Eisenstein’s Alexander Nevsky) and back through time - again -Kenneth Branagh's movie of henry v .

June 27, 2019 - inspiration in ia cup- yan can cook- baiju -(bok jow Cantonese) -white clear spirits -wine -in Chengdu -

the 12 boys -and coach - rescued from an underwater cave in Thailand- June 28, 2018 - the site is a local tourist attraction – I was a housewife. than I saw how much money I would make selling tee shirts to tourists.

Japan- coal mines leave underground voids – that collapse – 50 years later – an island sinks – Tokyo is riddled with voids that will cave in, collapse – it’s only a matter of time -

Trump in Osaka joshes with Putin 'don't meddle in our elections." and both laugh- tonight in flight to south Korea -Trump sends Kim Jong un a love note, Doya want to meet at the 38th parallel? who is wooing who?

Marketplace storyteller – ah! children in the market- children in the street- are you brave?

(Aiiieeeee! presents – writers-and the works – that encompasses our experiential-educational -and our personal writerly opinion of Asian American literature – we are not critics)

Children are alarmed- challenged -

(The yellows don't ask why yellows have no critics - instead they form clubs of yellows in love with white power - and groups of no yellow content to ornament the white power , the pure ornamental oriental)

do you ….you brave children have your parents’ permission to hear the storytellers story, for brave children? the marketplace storyteller asks in pre-history – and today, to kids passing on the street, "do you brave children have your museum guides permission to hear a story?

The guides are reassured – the children group around each other and the guides -

The guides are Ron Chews legacy to Chinatown: the dropping of Chinese museum being dropped from the wing Luke Chinese museum, and replaced with with Asian museum - to be more inclusive – says Ron chew- the founding editor -publisher of local shopping news – the international examiner - whose classifieds ads are the money makers. notices announcing divorce actions and legal announcements meeting legal limits are buried.

Ron chew has been at war with ruby chow & ping chow and his opera Chinese who insist on Chinatown being called by the city of Seattle: Chinatown since 1954 -

Monday- July 1, 2019- Hong Kong – protesters storm legislative council bldg.- with hammers and sticks – break glass and enter state bldg. – 22 years – two Chinas- one system- doesn't work- no Hong Kong extradition to red china (as a Disney enterprise)- one month of protests -

Shawn- Aiiieeeee! takes the

high ground – we wanted to stimulate at dialogtwixt the writer & the people's knowledge - & the people – to kick ourselves in the literary constipation – and start art -

The dialog has started – let yellow lawyers fight penguin-random house-

Aiiieeeee! s concern is the dialog – yellow sources for yellow lit – whites enter china – in the 19th century – white lit is proof – meantime - moral  cultural diff twixt japan accepts and learns from -lafcadio hearn / white racist America dumps Nisei Toshio Mori who advances the form and writing of the old woman and her bun -

From James Omura we learned we were wrong about the author the daring young man on the flying trapeze- William Saroyan, meaning his calling Toshio Mori's writing naive – childish – as de-meaning – Omura invited Saroyan to dinner to talk over a book deal for Toshio Mori's collection of linked short stories. Omura invited Saroyan’s comments as praise for Toshio Mori's Zen Buddhist sense of simple essentials of common customs of a local community

Bill Neely- brit – never seen before -protest mass -(white man forgets Mao and his mad crowd - ) -

Come on- Shawn – get a meet with the yellow caucus - George Takei and Harvey Levin on TMZ- argue over the term "concentration camps" being applied to the Jap camps- Harvey for Jews who have a franchise on Jewish suffering being the only real suffering in concentration camps- - they're the only race designated a pariah by the entire white race – the Jews are so white racist about the white preciosity of their suffering compared to the Japs-

The intention of Shotarao Frank Miyamoto was the extinction on of the Jap race in America thru self-contempt that is going on in sf now, right now because of the Jews too snobbish to see- Hong Kong – and Maxine Hong Kingston the fake loved by whites for being stupid as the Jews say everybody else is. where did Shotaro Frank Miyamoto go mad? university of Washington – and the university of Chicago- they studied the same social Darwinist social science that Herman Goering uttered as the Nuremberg laws of 1935 scientifically reducing the Jew to a pariah - and the white licking names in the JACL- Sakamoto, Hosokawa, all come together in Mike Masaru Masaoka – in Miyamoto's 1939 masters theses - as the judenradt of the concentration camps coming with the come of war against Japan-

The JACL learned from the blacks and their civil rights group, the NAACP, not to form as a civil rights group- the organize as a "citizenship " group -

Lt Ehren Watada, , awaiting court martial, for refusing to be deployed to Iraq, at fort hood, Washington couldn't answer executive prod and anchor of the democracy now, Amy Goodman’s question about the difference between the no-no boys (of 1943) and the draft resisters of 1944.

He was brought before a court-martial in 2007 which ended in a mistrial; the army subsequently discharged him under "other-than-honorable-conditions" (OTH) in oath discharge is the least favorable type of administrative discharge from the army, and is reserved for a "pattern of behavior that constitutes a significant departure from the conduct expected of soldiers of the army

In other words: a disgrace to the army. a ripping epaulet off the shoulders, insignia off the collars, stripes off the sleeves and trousers and throwing them on the ground in public, but politely, on paper that must be shown at every job interview.

Watada, from Hawaii should have known the answer. but he didn't.

George is blowing the myth of George Takei rescuing the story of the concentration camps that got the cowardly leader of the camp resistance to the laws of allegiance, and he names him – he lies about Frank Emi, with a memorable line from one of George Takei's episodic TV scripts, not life or Frank Emi' s mouth.

And there is the nuisance of Ken Narasaki's bowdlerization of Okada's novel as a play the way Okada would have written it if he had lived to see what the Nisei achieved. the Nisei Sansei Yonsei seemed to say ok, he wrote wrong, Nakanishi is more Okada than Okada ever knew. too bad, even if Nakanishi is right, he is not John Okada.

Aiiieeeee! would appreciate a basic yellow understanding of literature as what is written, and when it is written, and who is the writer, or who are the writers, when it is written. Ken Nakanishi's attempts to convince Mits Koshiyama, a heart Mt resister, Mits was wrong and Okada was wrong with his magical personal powers and not logic of his senses is religion at its glassy shiny laughable best.

San Francisco and the Hearts newspaper propelled missionary from unknown town in low end of the valley to the avenging angel of Chinatown, a white Donaldina Cameron threatening a Chinaman abusing his terrified woman, with an axe- and 55 newspapers in Frisco compete for a story. Charles Shepherd, writes a novel about the heroine of Cameron house , 'the ways of ah -sin.' across clay street from Cameron house is the Chinatown YWCA – Jade Snow Wong, " fifth Chinese daughter, " Jade Snow enjoys cooking Chinese for the pres. of Mills College more than home. if she were only white. she makes pottery in the window of her art shop. Arthur Godfrey sees her and she stays in his radio musings from Hawaii – ref to five brings up the Fifth Chinese Daughter. to the egotistic white belief that the American whites rescued Chinese simpletons from the infinitely smarter japs.

Today mad Maxine Hong Kingston scares little kids with the electrified sizzle and crackle of her white hair and pixie size and eyes and trembly voice. Pres Clinton, awards her his humanities medal, Pres Obama awards her his arts medal- by Pres order of two Pres: contempt on the lit that produced "the Ballad of Mulan,"

Mulan is the heroine from 550 ad who inspires Liang Hongyu, in the Southern Song and Mu Guiying, in the southern song to songs of their own, fighting for territories as home along the yellow river, as allies with the real owner of Kingston's tattoos, General Yue Fei.

If Kingston were serious about women abused by men, there was the body of poetry and story known as "the four beauties"

Kingston is defended by white racist feminist’s hostile to Chinese moral sense of "it is written. write on."

The Jews can't see the similarity between the FDR's America and the Nazis and JACL as the willing Judenradt, and the 126, 332 American Nikkei (every last one off the American west coast of Washington, Oregon, California).

I suggest you go as part of UW press delegation from Seattle to the yellow caucus – in Washington- to explain penguin-random house takeover of Okada's no-no boy - the witnesses - you for Aiiieeeee! and art – Frank Abe for Conscience & the Constitution, and, Roger Shimomura, Larry Matsuda

Me. I’m in the enviable position of monkey in hell- with hell tuned to Calvin McMillin as me.

Boy, am I buried and faked. Oh well, what the hell. I’m old. I’m adjusting to my right hand that doesn't work as a hand. the fingers that do work are few and to reach them, I have to send a slow gulp ahead of time. how I do that I don't know, but I have to hurry. I’m already past time. I don't play the guitar anymore. I just can't. I have a hard time living without wasting time playing the guitar in the resonant bathroom with Sam. we had a bathroom with a tub that echoed the sound throughout the old wood of the old house.

Today I look, I sit in LA looking out of the rolling noise of Los Angeles hating itself, forward to the day I have a room, at the Panama Hotel at 605 1/2 so main street, in Seattle. I see myself standing , at the east end of panama hotel mezzanine hallway. the 6th avenue end. barefoot pad on the buffalo hide floor, on my way to the toilet, then the shower. the hide does not reach the door to the toilet. there's an orchid on the windowsill of the room with a deep concrete sink and a white porcelain heavy sink., and the toilet with a noisy deep sucking drain. a floor of eye occupying eight sided white tiles. the live purple to the blues of light before the sun rises of the orchid, depending on the mood and the dump, is a pleasant conversation vibrating tween white and an orchid in colors. there is the sound of no one up. I’ll be the first to shower in the tub rigged with a plunger plugging the water to the tub and sort of pushing it to the shower-head . remember the voice of experience. what's his name? I know him as whitey, for his hair and bare - – get the hot water going first -then slowly add cold to favored temperature -

I leave the shower as dry as I found it. Whitey in his chair on the stairs looking down , across the mezzanine, and down to the hotel entrance, hears me. He asks if the sound he hears is me. by name. He used to call me , "Mr. Chin." I’ve been coming here awhile. time flies.

The light of the first sunlight skins thru the window at the west end of the long dark hall, and the long row of doorways glow a tea colored wink and shine of old wood toward my steaming body.

Room no 3. Old style key lock on the door.

I see me sitting at a table inside the panama hotel coffee & teahouse. a tour of kids from the wing Luke museum walks up the hill of main sty past my view out of coffee house. a marketplace storyteller of prehistory searches the place for an audience.

Do you…. you brave children have your parents’ permission to hear the storytellers story, for brave children? the marketplace storyteller asks in pre-history – and today, pounces on a line kids passing on the street, "do you brave children have your museum guides permission to hear a story?

The children – freeze -challenged scared!

Children are you brave? If I were a storyteller, of old, I would ask, with your parents’ permission, may the storyteller, tell you, a story for brave children? hmmmm?

The guides are reassured – the children group around each other and the guides

Good. In a matter of seconds, me the storyteller being eyed, has raised doubts and settled them, as prep for the big chicken. a story, no matter what the content, the telling has to keep the listeners, on the edge of their ears- or storyteller failure! flunkola -

Storytelling getting and holding the attention of kids – getting the story to climax- to more climax – to unbearable climax – to the "boo'" in three – five minutes -

The Jews were more interested in the yellow understanding of the Jews story than in using Jewish knowledge to corroborate yellow investigations of yellow groups of happy volunteer Camp Judenradt as traitors to their people – from Japanese American mike Masaoka to Chinese American Maxine Hong Kingston.

Won't the Jews corroborate the similarity twixt Masaoka's "for better Americans in a greater America" and slogans of Jacob gens of the Judenradt of Vilna Ghetto, Lithuania? Jewish intellectual corroboration might stop a JACL Moses thumbing his monument at his betrayed American Nikkei people.

No. Jewish suffering is sacred and exclusive to Jews only;


No- No! Alec Baldwin's "Nuremberg" (2000) Brian Cox he actor playing army psychiatrist capt. Gus Gilbert, spying on the prisoner’s minds at Nuremberg . talks to matt craven in the role of Herman Goering. Goering says the Americans have concentration camps for the Japanese. Gus gilbert dismisses the jap camps as a mistake. the Americans admit it, that was that.

Just like the Germans Gus.

There aren't as many Nisei as Jews designated pariahs but still in every sansei and Yonsei born in 1957, like innocent Bettina Goering, is in for mind shattering TV sight. She has the face of Hitler’s right-hand man. as the saying goes: the TV doc blows her mind.

The generation of Jap-Americans no matter they're JACL traitors or betrayed Nikkei – or camp resisters on constitutional grounds (comparable to challenges to the 1935 Nuremberg laws of Goering. the us gov fights to this day for the pres of the laws of 1949 Nazis as American white racist laws)

See the similarity?

No the Jews own suffering. period.

For the Japs- go mad – go happy – who cares? No unmade docs. No anatomy of the Japanese American identity. no blink at the blank on Jap or Japanese or Japanese American or Nikkei identity by generation, geographical location of "home".

For the Jews and the Germans- docs on all sides rush to rescue the soul of their good. the good of the Jews. the good of the Germans.. The good of the Nazis. The good of the gone. the good of the coming.

Their stories told back to back with the Jew or German grandson of a Nazi freak depresses or emboldens Japanese Americans, who never saw WWII or Korea or Vietnam. Do they have the parents who can tell them why the white man still sneers at all yellows as slant-eyed sissies and blowjobs with tiny tits? Since 18 what? Who does the yellow owe for the "pacific overtures?" Hmmm?

The yellow owes the Jews the racist mike Masaoka (the Rudolf Hoess of American contempt for Japanese in America. And his innocent grandson Rainer Hoess – a Jewish journalist accompanies Rainer to Auschwitz where a Jewish teen asks what he would. If he met his grandfather today. "I would kill him," Rainer says. A survivor of Auschwitz shouts, "you weren't there. you're innocent!"

The Jews and Germans still remember enough together to dig out the truth buried by winning and losing.

All of the American docs made by yellows are approved by white racists; the JACL, American colleges and universities- the yellow docs and films are all amateurish, unsearched, cute and lousy. even the ones I and Aiiieeeee! appear in.

In white racist America George Takei is on the TV news hating himself for American patriotism and Ken Narasaki declares John Okada a fool for not being white racist in Seattle, Rick Shiomi in New York rewrites " Gilbert & Sullivan’s the Mikado" with real corrections to not offend Japanese sensibilities with 19th century Victorian racism and real sets

Compare any or all the American and Canadian work of yellows since 1960 to the work of Akira Kurosawa, Nagisa Oshima, Yukio Mishima, Juzo Itami.

Bettina Goering is married lives off the grid outside of Santa Fe New Mexico. The last ten years she and German friends get together and cook the foods of childhood and sing folksongs from home.

The black writers of the day remember Gloria Steinham read "the woman warrior" and flew to California to meet mad Maxine Hong Kingston the author of the real autobiography of written dreams.

Whip it out and piss on 'em like a man, man!

No! Shh! We'd like to, but ….can't. right now!

Irish of San Francisco, everybody all the coloreds suffering their signature white designed wrong - see but don't see the whites are fooled by what attracts them – the JACL is all Masaoka imitation FDR oratory, in a style guided by mad doc Miyamoto of Seattle, down the hill of sixth avenue to an office in the building on the corner of Jackson, a main street to the piers and the water. and Bill Hosokawa, a UW journalist who works for blind James Sakamoto's Japanese American courier, with offices in an np hotel, storefront on Sixth Ave, next bldg. down from the corner of main street, and the Panama Hotel Hosokawa the journalist, Dr. Miyamoto the mad doctor, down on the corner of Jackson, and Masaoka, the JAC; Moses from Utah, preach up the perfect Nisei:. a Nisei born in America earns his or her citizenship by service to the white man. meantime in Hollywood professional-land: b-movie gold- our father who art in Hollywood, Charlie than, be thy name. Keyed Luke, Benson Fong, Victor Sen Yung - Hosokawa as Masaoka's journalist co-author – of all of Masaoka's autobiographical JACL memoirs. In his writing with Hosokawa, Masaoka and the JACL are one and the same better American hating Japanese for Jesus Christ of the latter-day saints. of the greater America emergent in Utah. Masaoka's style, his voice, his twang to my ear is more w. c. fields, than franklin Roosevelt.

Both Masaoka and Maxine Hong Kingston have faked out the academic & intellectual whites at land grant universities and endowed private universities of the east – Kingston admits she so frankensteined Far Mulan and Ngawk Fei (Yue Fei) she knows no way of explaining her fakery without fatally slowing the fast one she pulls. Chinese readers, Chinese scholars can scream all they want. white readers that count hate Chinese scholars and scholarship and facts – anything that slows that thrilling fakery of her story.

To get beyond one man's inability to write a man better than himself, one man uses the strategy of writing two men – competing to be better than the other.

Pat Morita calls me shortly after ten why? He plays Manzanar photographer xxxxxxx in John Korty's movie of Jeanne Wakatsuki Houston and James Houston's jointly written autobiographical novel Farewell to Manzanar. the story of Jeanne. A girl who finds herself in a camp called Manzanar, Spanish for apple. these are her first memories. and out of camp falls in love with James, her white Samurai who imagines Jeanne Wakatsuki's father's answer to the 1943 leave clearance questionnaire, he writes in the novel , the line acted in the movie farewell to Manzanar by Yuki Shimoda to bring a tear to the eye before the cut to the next shot.

I hate myself in Farewell to Manzanar. Anything to be in the movies. Those were the days -

The days Pat Morita, a principal was on set and we members of the mob were on set, were never the same.

Pat's phone call in the days of rotary phones, he was getting a read of me over the phone. It happens, I’m a sucker for a story at ten every night.. I take a feel of him from a read of my raw notes. Several reads of my unintelligible notes. The me I read is hungry for impressing Pat Morita with brag, lizards are shitting in the Sunday

Martin Yan- Penang heritage ---colonial bldg. -to hotel -Kwan Yin – patron to world travelers – Malaysians don't change the colonial history and houses of their country, they grow with their telling and the humor of their increase in players and play.

Born with the unalienable right to equality. Equality does not mean uniformity – it means every individual citizen has his/or her name and come the day at the first 12-year cycle round the animals, and three years deciding who and what you are, you are given and accept a name from your family, or a name of your own. you own your name, and the meaning of your name – the citizen has the right to be as likable or dislikable to local society as long as he/she breaks no local laws within the borders of the united states of America.

Whooo! Poon Goo in empty nothing ---an egg comes in sight. Poon Goo's in the egg.

I didn't ask to be born. It’s not my fault I am born-

You are not responsible for your coming to life as you?

Right I didn't ask to be born. –

Whoever is responsible for giving you life is the responsibility for sensing when you- are you, and fit to live on your own, or a mistake - /

A mistake? Me?

A missing Organ, a bad neuron snap connection, an offensive mouth. Mistake. Mistake. Mistake.


The authority responsible for a life gone mistake is the same authority that sees a mistake and ends it...


The end of life.,

The end of life?



The name – who cares?

And meaning?

Does not appear! as if the name, and words of meaning,

Oh. (Inhale- and hold it)

Are never heard,

My deathless prose. My formula for regenerative teeth, one goes bad falls out and grows a new tooth, my magic poetry, a mouthful of young regrown teeth and healthy gums at seventy!

And if heard,... not remembered.

The Jews & Germans work hard to never forget 1935-1945 -

The US Gov- dept of interior as Nazis to the Japanese – and Masaoka and his JACL as the volunteer double-dealing for Uncle Sam Judenradt leading the pariah people to hate themselves to death as they work to please the white man, more than the blacks, the browns don't take to yellows and drive us out of Mexico with a song.

Masaoka directs the JACL to spread as law to all 123,313 Nikkei in America the direction to forget camp and the war in Europe and the war in the pacific. Leave all information and news of Japanese America to the JACL.

In white America - the Chinese Americans never hear a Chinese children's story from the Chinese childhood not told by a white- forbidden Chinaman – by united white religion in 1849 and united states. Law in 1882 – by Euro - Christian religions anti-yellow anti-coloreds religious law. the fight among believers of belief in one to the be the only one - monocolor – or white only! the whites outwhiting the whites to be the one and only believe the whites own the old west.

The Chinese see the old west as stories from the Chinese childhood. father goes looking a ground to plant the seeds of a family farm- from the family farm - found a civilization .

Only whites travel as a white mind out for conquest of colored locals everywhere there's a farm to conquer-colonize – and send farm goods -to support the white home – and starve the locals-..

The Chinese have stories like that?

Actually the Japanese, are the first with Lady Murasaki's Tale of Genji that is written before lo Kuanzhong's "the Romance of the Three Kingdoms."

Three kingdoms?

Three men from three walks of life, a sandal peddler, a filthy rich farmer, a big man, known as a killer, good with weapons, looking for his moral compass (he knows he has one because of who he's killed, and who he has not, and who he has not accepted as a gift-) Liu Pei, Chiang Fei, and Kwan Kung meet at a crossroads and happen to be moved by an imperial call to arms. the emperor is kind of shaky because of Cao Cao (Cho Cho) an influential minister with personal ambition, but the loose strategically sloppy, but tactically fast as crows on horseback-and the three men bubble up with they must defend the honor of the Han Dynasty -

The Han falls apart over who is more Chinese – the Three Kingdoms: Cho Cho takes over the Han and founds the Wei. Liu Pei gives selling sandals and challenges Cho Cho as an heir to the throne of Han - Shu-Han – - what's his name rules the south – and plots against both the Wu -

Liu Pei sees he is well supplied from Jiang Fei's farm/ tactically a wow, with Kwan Kung, but strategically lacking. he consults the most famous strategist around- the strategist seeking info in trapped into going to the enemy to free his mother, who he knows , means the trap is sprung -but he gives Liu Pei a name – Kongming also knowns as Geegawk Leong -

Kwan Kung, the man , and brother number two fumes and percolates dislike for Kongming but obeys the oath he made in the peach garden of Jiang Fei, the third brother (earth) and Liu Pei , (heaven) the first brother of the peach gardens.

Kongming shows his stuff plotting and planning the day by day haps and avoiding whoops! and no question of what is victory in the wedding of Liu Pei and the princess daughter of the ruler of the south. he begins by putting Liu Pei on a diet, and dying his hair and teaching him manners and puzzle poetry.

Why puzzle poetry?

She's a princess. she's educated. she knows poetry. do you? you're a king. you're in love?


She has talent as a military strategist'. you share a hobby.

A hobby? I’m a king.

And she's a princess, the daughter of who controls your way to the south and the Yangtse.

That’s right.

Lose weight. Look and act younger than you are.


No. train,

So Kongming is better than Kwan kung?

Kwan kung has an instinct for responding in action. his long-range actions are unknown because the situation is not known. Cho Cho plots to catch Kwan Kung mauling Liu Pei's bride. Kwan stands outside her door hold candle in one hand and his weapon in the other. Cho Cho threatens Liu Pei's wedding party with death if Kwan kung refuses to fight for Cho Cho. Kwan won't fight Liu Pei for Cho Cho. but fights for Cho Cho.

Red rabbit the fastest horse in Cho Cho's kingdom -for Kwan to ride into battle -

Jiang Fei rides out to confront Kwan kung as a traitor to the oath by fighting for Cho Cho. - the wedding party comes into view -and the mood about Kwan's ride home changes into celebration of first brother Liu Pei's reunion with his bride –

The three brothers are still loyal to each other and their cause- the restoration of the Han. Kwan sees himself probably superior to Kongming with weapons and Kongming better than Kwan kung at solutions arrived at by verbal diplomacy with all – be they low or high.-

Not till Cho Cho give him red rabbit did Kwan think of breaking out of Cho Cho's grip. Kongming would be thinking ahead. Kwan kung can't see ahead. [the Chinese negotiator with the central pacific in the high sierras settles for back pay and Chinese foremen for Chinese gangs - had the negotiator been Kongming the Chinese would also get a raise in pay – the negotiator in "donald duk" is not named. Kwan the foreman is no Kongming. he's no genius. Kongming himself would say. Kwan the foreman is very bright- but no genius..]

Chew the fourth brother of the "four families " -Lowe-Kwan-Chiang- Chew, or the lung Kong Tien Yee Tong – saves Liu Pei's infant son from slaughter in a pitch battle. Liu Pei, bows to Chew Yun (?) and offers the soldier a sword to kill his son, for risking a soldier’s life!

Dai Yun, big man, the soldier says. I fight to restore the Han of your family.

New wave cuisine- a Taiwanese home care food law without losing taste and the weirdest and most soothing cooking show – a loving Chinese couple dressed in clown clothes- he in a colored giant bowtie and dressed like Clarabelle the clown , and she like a girl played by cheery and pouty Shirley Temple in john ford's "she wore a yellow ribbon," the he & she keep house and cook together on a Taiwan gov setting from the designers of Ridley Scott's rain soaked Bladerunner, and – the movie Stanley Kubrick' makes of the Anthony Burgess novel of teens run amok in a Russia vs England with big bombs movie of the effect of life under the bomb on societies morals and ethics . "a clockwork orange." movies that play the movie fun of the 1956 Michael Anderson directed science fiction movie of Edmund O’Brien , an eraser and faker of photographs and rewriter of history to the truth of big brother- under the constant eye of big brother and the truth of big brother and anonymous totalitarian rule - drawn from the fun of George Orwell’s 1984 –

8:20 pm earthquake- shake-goes round stops more round 8:21 stops. 8:22 short after shock- Friday - July 5, 2019-


The mix. Strange to me. Before my eyes produces to music, relentlessly soft tingly cheerful children's toot toot piano music, the new wave cuisine show – every weekday at 1:pm on cha 18-ksci -and today the funniest looking he and she that should repel each other are cooking touching and tasting each other like kids, make a Japanese sushi new wave style. Ok? with purple rice produced from white rice and a sprinkle of small beans. ok? – washed-drained. Ok? from he. Lots of ok. – steamed ok? – he tastes something, then shares a bite with her. they both wave fans to cool the rice and he turns the rice over and over with a paddle. ok – spread on the bottom of glass baking pan and powder with corn starch- next- prepare scallops – oooh scallops! Locally grown. ok? ok! Next prepare fresh Taiwan grown horseradish root – scrub the skin – cut the root end – and grind the root end – on a grind surface as tough as sharkskin.. ok. Mmm! The scallop sushi on red rice is yum yum and makes her jump chi ban! He: ok!

In 1849 gold rush Sam Fahn see cum Frisco cum San Francisco – before there are organized big tits before organized big guns lay down big law west of the rockies. earthquake-10:34-5/ shudder sudden gentle side to side- grab countertop to keep my balance and wait three seconds – go to the bathroom and pass a piss -